Passing the Soup Before Passing Out

Erlanger, Baba and Daren Pierce. The Compleat Martini Cook Book. Illus. Elizabeth Fraser. New York: Random Thoughts, 1957.

My mother barely drinks at all, and while my father does, it’s in a decidedly unglamorous cans-of-bud-lite and jugs-or-sometimes-even-boxes-of-red-wine kind of way. Either because, or perhaps in spite of my upbringing, I’ve always liked the idea of serious, yet controlled, drinking, the kind done by ad men and literary types in movies from the 1950s and 60s. Hence my fondness for the The Compleat Martini Cook Book. Clearly a farce (the authors report being “shoved” from their “Newport nest” at the tender age of 34), the book nonetheless includes some fairly edible-seeming recipes, arranged in order of how many martinis should be drunk before attempting to cook them. The instructions take into account the sobriety of the chef, suggesting, sensibly, that knives should probably be avoided after four or five drinks. I chose the recipe below because it includes pickled beets (yum!) and because I LOVE the illustration. I think it perfectly captures that green, yet languid, state that can be reached after a night of hard drinking:

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Elasticakes and Tennis Chops

Marinetti, Fillippo Tommaso. The Futurist Cookbook. Trans. Suzanne Brill. San Francisco: Bedford Arts, 1989.

Written by F. T. Marinetti, The Futurist Cookbook was published in 1932 in Italy. The book aimed to bring the tenets of Futurism into the kitchen, via “aerofood” served at meals with grandiose names like the “Synthesis of Italy Dinner” and the “Get-Up-to-Datee.” Marinetti had a special vitriol for pasta; he felt it made the Italians sluggish and complacent. He proposed a radical new cuisine, based on the idea of food as art rather than food as sustinence. Lesley Chamberlain, in her introduction to the cookbook, argues that Marinetti’s proposal was, in fact, “one of the best artistic jokes of the century.” The thrust of the book does seem to be more about performance than consumption, but serious or not, it’s certainly good fun.

The names of the dishes are all fantastic. Some of my favorites: Tasty Equator + North Pole; Like a Cloud; Futurist Risotto with Cape Gooseberries; Carnaleap; More-Less-By-Division; Fisticuff Stuff; Manandwomanatmidnight; Strawberry Breasts; Senate of the Digestion; Pocket Book Turnips; and, of course, Carrot + Trousers = Professor. A few of the recipes are also accompanied by helpful little illustrations, like the Tennis Chop below:

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Be Bold with Bananas!

Be Bold with Bananas. New York: Crescent Books, [1972?].

Cookbooks that focus on one ingredient are often published by companies with a vested interest in promoting filberts, or mayonnaise, or what have you. According to Amazon, Be Bold with Bananas was produced for Fruit Distributors Ltd, Banana Importers of Wellington, New Zealand. When a company trying to sell bananas decides to put together a cookbook about bananas, all sense of perspective apparently goes out the window, with predictably hilarious results. The basic premise of the book is that bananas will improve and enliven every meal you cook, from dinner (banana meat loaf, anyone?) to dessert (perhaps you’d like the banana jelly custard?). Things really begin to fall apart, though, with the photography:

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The Laziest Housekeeper in Europe

Lowinsky, Ruth. Lovely Food: A Cookery Notebook. London: The Nonesuch Press, 1931. 8vo. 127pp

lf cover small

Published in 1931, Lovely Food was the work of an English socialite and hostess, Ruth Lowinsky. Her husband, Thomas, was a Surrealist painter, and they collaborated on the book. She wrote the menus and the recipes; he drew centerpieces to go with them. Lowinsky’s emphasis was more on entertaining than on cooking; many of the recipes are mere outlines. When preparing clear mushroom consommé, she simply tells the reader to “make a good consommé,” neglecting to go into what that might actually involve. The result is recipes that read more like instructions from mistress to cook than tips for a novice in the kitchen. The references to servants sprinkled throughout the book make it seem likely that this is, in fact, what Lowinsky had in mind.

Lowinsky, merits at the stove aside, was clearly an energetic and entertaining hostess. The menus in the book are all centered around witty, and occasionally improbable, dining scenarios. In one, she imagines that the reader’s stuffy father-in-law is coming to dinner, “prepared to judge you as either the laziest housekeeper in Europe, or the most extravagant, or even a subtle combination of the two.” Under the circumstances, she suggests consommé, smelts, chicken, meringues, and a centerpiece that looks like it might have been made from a slinky:

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